Fashion Studies Faculty

Eugenia Paulicelli is Professor of Italian, Comparative Literature and Women’s Studies at Queens College and the Graduate Center of the City University of New York.  She is the founder of Fashion Studies at the CUNY Graduate Center. Her research interests in fashion theory and history were a development of her interdisciplinary work  on word and image, the topic of her first book:  Parola e Immagine. Sentieri della Scrittura in Leonardo, Marino, Foscolo, Calvino (Florence: 1996).


In 1994, she published her first essay on fashion in the anthology Feminine Feminists: Cultural Practices in Italy (Giovanna Miceli-Jeffries, ed., University of Minnesota Press). Since then she has continued to explore fashion in the contexts of critical theory, feminism, politics, national identity and globalization. She designed the first courses on fashion theory at Queens College and The Graduate Center and organized a public forum that enabled New York-based scholars of fashion to discuss the intersections of fashion and politics, consumption, spaces and cities, globalization etc. The first speakers at the Forum on Fashion Studies were Professor Jane Schneider and Professor David Harvey, both from the Department of Anthropology at the Graduate Center (May 2004). She has also organized international academic conferences on fashion and originated the multidisciplinary project The Fabric of Cultures. Fashion, Identity, Globalization (Spring 2006) that included a dress and textile exhibition held at the Godwin Ternbach Museum at Queens College (see Exhibition section on this site); a PhD seminar at the CUNY Graduate Center, two conferences, one at Queens College, and one at the CUNY Graduate Center.

Based on the success of the forum, conferences,  and courses that were co-taught with Professor Joseph Glick, Department of Psychology, the PhD Concentration in Fashion Studies was established in 2008. In the following years, Eugenia Paulicelli designed the Track in Fashion Studies in the Master of Arts in Liberal Studies. She directs both these Programs.

She has published several books:

Fashion under Fascism. Beyond the Black Shirt (Oxford and New York: Berg, 2004;


Moda e Moderno. Dal Medioevo al Rinascimento [Fashion and Modernity. From the Middle Ages to the Renaissance] (Rome: Meltemi, 2006, ed.);

The Fabric of Cultures. Fashion, Identity, Globalization (London & New York: Routledge, 2009, co-editor with Hazel Clark);


1960. Un anno in Italia. Costume, cinema moda e cultura (Cesena: Il Ponte Vecchio, 2010, co-editor with Antonio Maraldi);

The 1960s Revisited: Fashion Film, Modernities (co-ed., with Louise Wallenberg, under consideration by Indiana University Press)

Her latest book Writing Fashion in Early Modern Italy. From Sprezzatura to Satire (Aldershot: Ashgate, 2014)


is the first comprehensive study of the role of Italian fashion and Italian literature in the Italian Renaissance. The book emphasizes the centrality of Italian literature and culture and the concept of “sprezzatura” for understanding modern theories of fashion and gauging its impact on the shaping of codes of civility and taste in Europe and the west. Using literature to uncover what has been called the “animatedness of clothes” the book explores the political meanings clothing produces in public space.

She is completing: Italian Style. Fashion & Film. From Early Cinema to the Digital Age. (Forthcoming: Bloomsbury Academics).

Italian StyleBookcover

She has also been editor and co-editor of the following journals:

Women’s Studies Quarterly, WSQ on Fashion, CUNY Feminist Press, Fall 2013 (co-ed., with Elizabeth Wissinger)


Journal of Modern Italian Studies, Special issue on Italian Fashion. Yesterday, Today and Tomorrow, Spring 2015 (Forthcoming)

She has curated and co-curated exhibitions and film festivals such as: the exhibition “Fashion + Film: The 1960s Revisited,” held at the James Gallery at the CUNY Graduate Center (2010):;

the New York Edition of “Birds of Paradise” (May 2011); her essay on the silent film Rapsodia Satanica (Nino Oxilia, 1915) has appeared in the anthology of the same title edited by Marketa Ulhirova, Birds of Paradise: Costume as Cinematic Spectacle, Koenig Books: London, 2013.

and “Antonioni’s Documentaries” at the Museum of the Moving Image (April 7-8th, 2012).

With Grazia D’Annunzio (Vogue, special project editor), she originated and currently co-hosts the conversation series with key figures in fashion, photography, film, and design “AdDressing Style,” held at the Casa Italiana Zerilli-Marimo’, NYU:

Interviewees in this ongoing series have included:  Franca Sozzani from Vogue Italia, Harold Koda, Stefano Tonchi, Valerie Steele: Valerie Steele

Video on The Men of the Cloth, a documentary by Vicki Vassipoulous

She has written more than fifty articles and has been the recipient of several PSCUNY Awards in support of her scholarly research. She was also a recipient of a Mellon Fellowship at the Center for the Humanities at the CUNY Graduate Center (2010-11). In 2013, she was awarded the Benjamin Meaker Visiting Professorship at the University of Bristol, UK; Queens College, award for 20 years of Distinguished Service to the College and the Community, Spring 2013; Team Leadership for proposal “The Year of Italy,” scheduled for academic year 2018-19, part of the Queens College annual cultural Initiative dedicated each year to a different nation and its culture, awarded November 2013.

She has taught in the PhD Program in Fashion Studies at the University of Stockholm; has been part of a research seminar on fashion and screen media at the University of Nimbo, China (2012);  and has often been invited to seminars and conferences in Europe and the US. She is one of the keynote speakers at the International conference on Clothes, Working Lives and Social Change, 1880-1939 (London, September 12-13, 2014). The Conference is part of a series of research events on the interconnected histories of clothes and labour funded by AHRC Connected Communities program :

Elizabeth Wissinger is an Associate Professor of Fashion Studies at the CUNY Graduate School and of Sociology at BMCC of the City University of New York. She studies fashion, technology, and bodies, to explore how both culture and communication shape and are shaped by relationships between bodies and technology. Her work has earned several grants and awards, including two Mellon Fellowships, in the Center for the Humanities, and in the Center for Interdisciplinary Science Studies, at the Graduate School of CUNY. Her discussion of fashion and imaging regimes appears in Fashion Media: Past and Present; fashion and branding are treated in “Modeling Consumption: Fashion Modeling Work in Contemporary Society,” in the Journal of Consumer Culture; and, with Joanne Entwistle, treats fashion models as cultural signifiers in the anthology entitled Fashioning Models: Image, Text, and Industry (Berg: 2012). More recent projects include WSQ’s issue on Fashion, co-edited with Eugenia Paulicelli, and her book on the glamour labor of fashion models, This Year’s Model: Fashion, Media, and the Making of Glamour, forthcoming at NYU Press. Wissinger’s current research focuses on wearable technology and the issues it raises about the downloadable, accessible, productive, enhanced, and optimal body.

Veronica Manlow is an associate professor at Brooklyn College in the School of Business.  She wrote Designing Clothes: Culture and Organization of the Fashion Industry in 2007 (paperback, 2009).  In 2014 she co-edited a book entitled Global Fashion Brands: Style, Luxury, History.  She is an associate editor for the journal Fashion, Style and Popular Culture.  She teaches Fashion Marketing and is the faculty advisor to the Fashion Marketing club at Brooklyn College. Areas of interest are the organization, culture, leadership and the creative process of fashion design and branding.  Fashion is of interest to Veronica Manlow from a social and cultural perspective as it relates to both applied and theoretical questions concerning the individual, industry, modernity and the global economy.  She is currently doing research on attitudes toward mass marketed American brands outside the US, and on the career of luxury salespersons.


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